The recent media debate over a released HD-DVD key, and resulting DMCA take-down
notices, got me thinking about a broad range of questions regarding Debian
policy about "IP rights" in general, and specifically about numbers as
copyrighted "intellectual propery." Any piece of digital "content" is a single
number, so the issues raised by the copyrighted key apply to any other type of
binary data, including images, audio recordings, "ebooks," object code, etc.
Like the banned key, an HD-DVD image is a single copyrighted number. Losslessly
transcoded copies, as reversible mathematical transforms, would probably be
covered by the same copyright. Some lossy transforms may also covered, but an
interesting exception is the HDTV broadcast flag, which applies a lossy
non-reversible tranform, presumably resulting in a public domain copy. It begs
the question, at what level of transform lossiness does the copy lose its
"protection" and become public domain?
I have long questioned whether copyright can be clearly enough defined to be
generally enforceable. To be a useful, it must be very narrowly defined. It was
initially limited by available technology, and the original purpose was to
protect the investments of book publishers, indirectly protecting society's
access to books. Now copyrights have been expanded and interpreted as broadly
as possible, with clearly adverse effects on society's access to information.
In one extreme example, copyright was used to keep popular folk songs out of
Girl Scout song books. The HD_DVD key seems to yet another example of the abuse
of copyright laws.
I wonder how Debian policy is shaped in this area, and how it's applied to the
free/non-free designation of various programs? Is there a democratic way to
determine policy? If Debian lawyers are involved, which country's laws are
followed? Is there any place where these policies are clearly publicly stated?
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Debian policy on copyright
On Wed, 2007-05-02 at 07:41 -0400, Marty wrote:
> The recent media debate over a released HD-DVD key, and resulting DMCA take-down
> notices, got me thinking about a broad range of questions regarding Debian
> policy about "IP rights" in general, and specifically about numbers as
> copyrighted "intellectual propery." Any piece of digital "content" is a single
> number, so the issues raised by the copyrighted key apply to any other type of
> binary data, including images, audio recordings, "ebooks," object code, etc.
>
> Like the banned key, an HD-DVD image is a single copyrighted number. Losslessly
> transcoded copies, as reversible mathematical transforms, would probably be
> covered by the same copyright. Some lossy transforms may also covered, but an
> interesting exception is the HDTV broadcast flag, which applies a lossy
> non-reversible tranform, presumably resulting in a public domain copy. It begs
> the question, at what level of transform lossiness does the copy lose its
> "protection" and become public domain?
One cannot copyright numbers. The issue with the key, is that it is
being used to circumvent a copy protection scheme, which is a violation
of the DMCA.
>
> I have long questioned whether copyright can be clearly enough defined to be
> generally enforceable. To be a useful, it must be very narrowly defined. It was
> initially limited by available technology, and the original purpose was to
> protect the investments of book publishers, indirectly protecting society's
> access to books. Now copyrights have been expanded and interpreted as broadly
> as possible, with clearly adverse effects on society's access to information.
> In one extreme example, copyright was used to keep popular folk songs out of
> Girl Scout song books. The HD_DVD key seems to yet another example of the abuse
> of copyright laws.
>
> I wonder how Debian policy is shaped in this area, and how it's applied to the
> free/non-free designation of various programs? Is there a democratic way to
> determine policy? If Debian lawyers are involved, which country's laws are
> followed? Is there any place where these policies are clearly publicly stated?
>
http://www.debian.org/doc/debian-policy/
-davidc
--
gpg-key: http://www.zettazebra.com/files/key.gpg
Debian policy on copyright
>
> The recent media debate over a released HD-DVD key, and resulting DMCA
> take-down notices, got me thinking about a broad range of questions
> regarding Debian policy about "IP rights" in general, and specifically
> about numbers as copyrighted "intellectual propery." Any piece of digital
> "content" is a single number,
s/is/can be represented as/ and I don't think it is the same. I agree
that this question easily becomes philosophical, but sometimes lawyers
have to be pragramatic. Sure, a DVD's content may be representable as a
single, incredibly huge number. But nobody really cares for that number,
it's the result of its interpretation that people want to copy. And if
this result's copyright holder doesn't allow free trading etc., copying
that "number" is illegal. I generally do not have a problem with that.
The issue about the HD-DVD key starting with 09-f9-11 is a different
story since a) the key *is* nothing but a number and b) AFAIK nobody
claims copyright on the key. It's just that this key may be used to
break a copyright protection scheme which is illegal under the DMCA.
(Note that I am not a US citizen but we have a similar law here in
Germany.)
Whether the distribution if this key is really illegal in the US or
other countries is beyond me.
> so the issues raised by the copyrighted key
> apply to any other type of binary data, including images, audio recordings,
> "ebooks," object code, etc.
Debian applies its policy on programs to all files in the distribution.
Images, sounds, fonts, whatever.
> Like the banned key, an HD-DVD image is a single copyrighted number.
NACK, as I already wrote. The key isn't copyrighted and a movie isn't
really a number (it just happens to be representable as such).
If the number was copyrighted, converting to a different format would
yield another, uncopyrighted number -- even when done losslessly. The
other way round, if you could copyright a number with a
song/movie/whatever, you could even go as far as to say that with just
one song you could copyright *every* large enough number you can
imagine, since you can always make up a function that transforms a given
number into your preferred format which then gets interpreted.
> Losslessly transcoded copies, as reversible mathematical transforms, would
> probably be covered by the same copyright. Some lossy transforms may also
> covered, but an interesting exception is the HDTV broadcast flag, which
> applies a lossy non-reversible tranform, presumably resulting in a public
> domain copy.
Is this really true for the US? I have never heard of the applicability
of copyright law depending on the quality of the reproduction. It's just
that copyright owners don't care very much if you broadcast their whole
CD catalogue as 32kBit/s MP3 files. Oh wait, they do. :)
> It begs the question, at what level of transform lossiness
> does the copy lose its "protection" and become public domain?
I don't think this is a very interesting questions since copyright
probably applies until your pile of bits has become unrecognizable.
> I have long questioned whether copyright can be clearly enough defined to
> be generally enforceable. To be a useful, it must be very narrowly defined.
Well, lawyers are accustomed to bend even narrowly defined rules anyway,
so I don't think that's gonna help much. :) I think copyright is not a
lot different from other laws in that it very often takes a close look
by a wise judge to tell what's right or wrong.
> It was initially limited by available technology, and the original purpose
> was to protect the investments of book publishers, indirectly protecting
> society's access to books. Now copyrights have been expanded and
> interpreted as broadly as possible, with clearly adverse effects on
> society's access to information. In one extreme example, copyright was used
> to keep popular folk songs out of Girl Scout song books. The HD_DVD key
> seems to yet another example of the abuse of copyright laws.
ACK.
> I wonder how Debian policy is shaped in this area, and how it's applied to
> the free/non-free designation of various programs? Is there a democratic
> way to determine policy?
Debian Developers may propose and vote in "General Resolutions" on
topics like these, so basically 'yes'. You might find that one
interesting: . It stirred
/very/ hot debates among DDs because it essentially expanded Debian's
license policy to every file in the distribution (but was still called
"editorial amendments").
> If Debian lawyers are involved, which country's laws are followed?
I might be wrong, but I think in the case of copyright, a specific
countries law doesn't need a lot of attention because they all boil down
to almost the same set of rules ("don't distribute without the copyright
holder's consent"). But Debian most probably infringes some patents
which may be valid in some countries. AFAICT Debian's stanza on patents
is that it ignores them unless they are actively enforced.
Issues like the HD-DVD key are avoided. You don't even find libdvdcss in
Debian although it has been distributed by a lot of people without them
getting sued.
> Is there any place where these policies are clearly
> publicly stated?
Dunno.
J.
--
In the west we kill people like chickens.
[Agree] [Disagree]
Debian policy on copyright
Marty writes:
> Losslessly transcoded copies, as reversible mathematical transforms,
> would probably be covered by the same copyright. Some lossy transforms
> may also covered, but an interesting exception is the HDTV broadcast
> flag, which applies a lossy non-reversible tranform, presumably resulting
> in a public domain copy.
This is complete nonsense.
--
John Hasler
--
Debian policy on copyright
Jochen Schulz wrote:
> If the number was copyrighted, converting to a different format would
> yield another, uncopyrighted number -- even when done losslessly. The
> other way round, if you could copyright a number with a
> song/movie/whatever, you could even go as far as to say that with just
> one song you could copyright *every* large enough number you can
> imagine, since you can always make up a function that transforms a given
> number into your preferred format which then gets interpreted.
Another way to look at this problem is the question of whether this
program violates copyright:
for int x in 0 .. inf; do print x; done
I claim that it does not, even though it will eventually output the
HD-DVD key, and much later, the complete works of shakesphere, last
week's episode of Lost, etc.
The problem is, these copyrighted works are buried in its vast series of
numbers, in amoung a much larger (with pretentions of infinity)
collection of junk. Finding particular numbers that have value, that
cause someone to laugh or cry, or think differently, or play a game, or
balance their checkbook, still requires just as much work as it would
without the output of the program. The output of the program is in fact,
no help at all in finding these numbers, and thus worthless. It's
because of the work that people do to mine the set of numbers that
their results are copyrightable.
The total amount of such work in assigning meaning to the numbers
that people can do is finite, and so it's swamped by the much larger set
of numbers in 0 .. inf that we will never find a use for.
--
see shy jo
Debian policy on copyright
On Wednesday 02 May 2007 12:40:58 Joey Hess wrote:
> Another way to look at this problem is the question of whether this
> program violates copyright:
>
> for int x in 0 .. inf; do print x; done
>
> I claim that it does not, even though it will eventually output the
> HD-DVD key, and much later, the complete works of shakesphere, last
> week's episode of Lost, etc.
I'd be more interesting if it would output NEXT week's episode. In 16:9 w/
subtitles, please. Before next week, preferably. =)
--
Wesley J. Landaker
OpenPGP FP: 4135 2A3B 4726 ACC5 9094 0097 F0A9 8A4C 4CD6 E3D2
Debian policy on copyright
Marty wrote:
> Any piece of digital "content" is a single number
Which does not imply that any number can be a copyrightable work. At
least I don't recall sending royalty checks to the inventors of the zero.
In this specific case, IMHO the key in question is not copyrightable
because no “original work of authorship” was done to generate it. It was
produced randomly, the same as any other key. You can find a large
number of other such keys (although much, much longer than this weak
key) in the debian-keyring package. Debian does not seek any kind of
copyright permission to distribute those keys. The package's copyright
file says: "The keys in the keyrings don't fall under any copyright."
Another example is the ca-certificates package, which contains a lot of
public keys that are owned by large companies, which Debian does not
have to worry about copyright issues in distributing. The only copyright
claimed on those is a compilation copyright from the Mozilla project.
This particular number was a trade secret (which implies no particular
legal protection) and is currently something that a big corportation
with lots of lawyers is being a pest about people distributing, and that
is the only pragmatic reason that I can see that it won't be uploaded to
Debian tomorrow. Although using it as the version number for a peice of
software would be sorta amusing.
> I have long questioned whether copyright can be clearly enough defined to
> be generally enforceable.
The same can be said about anything from murder to jaywalking.
This is why we have judges who generate case law.
--
see shy jo
Debian policy on copyright
Joey Hess wrote:
> Marty wrote:
>> I have long questioned whether copyright can be clearly enough defined to
>> be generally enforceable.
>
> The same can be said about anything from murder to jaywalking.
> This is why we have judges who generate case law.
>
IANAL but I see two qualitative differences: first, copyright involves
expressive rights, which in the US requires the courts to apply "strict
scrutiny" in some instances. If it applies, then strict scrutiny requires the
government to prove that the law meets stringent tests that don't apply to other
laws. If the law involves prior restraint, then it requires "super strict
scrutiny." (Source: wikipedia) I think the legal issues faced by the
government in the PGP case illustrate this.
Secondly, while their are clear definitions of murder and jaywalking, their may
be no clear definition of a copyrighted digital "copy." Once again, I would use
the broadcast flag is a good example of this.
--
Debian policy on copyright
Marty writes:
> IANAL
This is clear.
> If it applies, then strict scrutiny requires the government to prove that
> the law meets stringent tests that don't apply to other laws.
Copyright infringement suits are not brought by the government.
> Secondly, while their are clear definitions of murder and jaywalking,
> their may be no clear definition of a copyrighted digital "copy."
Title 17 defines a "copy", and there is extensive case law.
> Once again, I would use the broadcast flag is a good example of this.
It's irrelevant.
--
John Hasler
--